Future Imperfect: The Ansari XPrize, SpaceShipOne & Private Spaceflight

how_make_spaceship_coverHow to Make a Spaceship: A Band of Renegades, An Epic Race, and the Birth of Private Spaceflight
by Julian Guthrie
Penguin Press, 2016
Hardcover, 448 pages
ISBN 978-1-59420-672-6
US $28/Canada $37

Reviewed by Douglas Messier

On Sept. 8, I arrived home at about half past noon to find a package sitting on my doorstep. It was a review copy of a new book by Julian Guthrie about the Ansari XPrize and SpaceShipOne titled, How to Make a Spaceship: A Band of Renegades, An Epic Race, and the Birth of Private Spaceflight.

I laughed. The timing was perfect. Ken Brown and I had just spent five hours in the desert — most of them in the rising heat of a late summer day — waiting for WhiteKnightTwo to take off carrying SpaceShipTwo VSS Unity on its first captive carry test flight.

It was the first flight in nearly two years of a SpaceShipTwo vehicle since Unity’s sister ship, VSS Enterprise, had broken up during a Halloween test flight, killing co-pilot Mike Alsbury. Ken and I had been there on that day, too.

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A Tale of Two Prizes

SpaceShipOne on the floor beside the Spirit of St. Louis of the National Air & Space Museum. (Credit: National Air & Space Museum)
SpaceShipOne on the floor beside the Spirit of St. Louis of the National Air & Space Museum. (Credit: National Air & Space Museum)

Two major flight-related anniversaries are being celebrated this week. Today marks the 89th anniversary of Charles Lindbergh’s historic solo flight across the Atlantic aboard the Spirit of St. Louis. Lucky Lindy took off from New York on this date and arrived in Paris some 33.5 hours later, claiming the $25,000 Orteig Prize.

Wednesday was the 20th anniversary of the launch of X Prize (later Ansari X Prize). Inspired by the Orteig Prize, it offered $10 million for the first privately build vehicle to fly to suborbital space twice within two weeks. The Ansari X Prize was won in October 2004 by a team led by Burt Rutan and Paul Allen with SpaceShipOne.

After Lindbergh’s flight, a public that had previously shunned commercial aviation embraced it with a passion. Following the Ansari X Prize, Richard Branson vowed to begin flying tourists to space aboard a successor vehicle, SpaceShipTwo, within three years. Nearly a dozen years and four deaths later, Branson has yet to fulfill this promise.

The SpaceShipTwo program has now taken longer than it took for NASA to go from President John F. Kennedy proposal to land a man on the moon to the completion of the program with the splashdown of Apollo 17. NASA launched the space shuttle Columbia exactly 20 years after the first spaceflight by Yuri Gagarin.

So, why have things taken so long? And why did one prize succeed beyond the dreams of its sponsor, while the space prize it inspired has promised so few practical results? The answer is a complex one that I addressed back in March in a story titled, “Prizes, Technology and Safety.” I’ve republished the story below with links to other posts in a series about flight safety.

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One of These Aircraft is Not Like the Others

SpaceShipOne on the floor beside the Spirit of St. Louis of the National Air & Space Museum. (Credit: National Air & Space Museum)
SpaceShipOne on the floor beside the Spirit of St. Louis of the National Air & Space Museum. (Credit: National Air & Space Museum)

I posted this photo earlier from the National Air & Space Museum. And it got me thinking. Exactly what do these aircraft have in common? How do they differ?And what does this tell us about flight test and prizes?

So, I dug into things a bit. The results are in the table below. (more…)

SpaceShipOne Touches Down Again

SpaceShipOne on the floor beside the Spirit of St. Louis of the National Air & Space Museum. (Credit: National Air & Space Museum)
SpaceShipOne on the floor beside the Spirit of St. Louis of the National Air & Space Museum. (Credit: National Air & Space Museum)

SpaceShipOne has been lowered to the floor of the National Air & Space Museum for assessment and conservation. It sits beside Charles Lindbergh’s Spirit of St. Louis.